Launch Schedule

Launch Schedule

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Digital out-of-home (DOOH) refers to dynamic media distributed across placed-based networks in venues including, but not limited to: cafes, bars, restaurants, health clubs, colleges, arenas, gas stations, convenience stores, barber shops, and public spaces. PQ Media defines DOOH by two major platforms, digital place-based networks (DPN) and digital billboards & signage (DBB); DOOH networks typically feature independently addressable screens, kiosks, jukeboxes and/or jumbotrons. DOOH media benefits location owners and advertisers alike in being able to engage customers and/or audiences and extend the reach and effectiveness of marketing messages. It is also referred to as digital signage.

Scope of the Report:
This report studies the Digital OOH market status and outlook of Global and major regions, from angles of players, countries, product types and end industries; this report analyzes the top players in global market, and splits the Digital OOH market by product type and applications/end industries.

The rising expenditure of the FMCG industry is one of the key trends that will gain traction in the digital OOH market during the forecast period. With the increasing popularity of FMCG market, there is a rise in the advertising budget. The introduction of several products and the growing competition between FMCG manufacturers, companies are focusing on adopting new advertising platforms to help them reach a wide range of customers.
Characterized by the presence of several players, the digital OOH market appears to be highly fragmented.

APAC will be the major revenue contributor to the out-of-home digital advertising market throughout the forecast period. Factors such as the growing infrastructure and the growth of the fast-moving consumer goods market, will drive the growth of the digital OOH market in this region.
The global Digital OOH market is valued at xx million USD in 2017 and is expected to reach xx million USD by the end of 2023, growing at a CAGR of xx% between 2017 and 2023.
The Asia-Pacific will occupy for more market share in following years, especially in China, also fast growing India and Southeast Asia regions.

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Market Segment by Companies, this report covers
Clear Channel Outdoor
JCDecaux
Lamar Advertising
OUTFRONT Media

Market Segment by Regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia and Italy)
Asia-Pacific (China, Japan, Korea, India and Southeast Asia)
South America (Brazil, Argentina, Colombia)
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Market Segment by Type, covers
In-store advertising
Outdoor advertising

Market Segment by Applications, can be divided into
Retail
Recreation
Banking
Transportation
Education

Digital OOH Market 2018 Global Industry – Key Players, Size, Trends, Opportunities, Growth- Analysis to 2023

Complete Report Details @ https://www.wiseguyreports.com/reports/3453613-global-digital-ooh-market-2018-by-manufacturers-countries

Table of Contents –Analysis of Key Points

1 Digital OOH Market Overview
1.1 Product Overview and Scope of Digital OOH
1.2 Classification of Digital OOH by Types
1.2.1 Global Digital OOH Revenue Comparison by Types (2017-2023)
1.2.2 Global Digital OOH Revenue Market Share by Types in 2017
1.2.3 In-store advertising
1.2.4 Outdoor advertising
1.3 Global Digital OOH Market by Application
1.3.1 Global Digital OOH Market Size and Market Share Comparison by Applications (2013-2023)
1.3.2 Retail
1.3.3 Recreation
1.3.4 Banking
1.3.5 Transportation
1.3.6 Education
1.4 Global Digital OOH Market by Regions
1.4.1 Global Digital OOH Market Size (Million USD) Comparison by Regions (2013-2023)
1.4.1 North America (USA, Canada and Mexico) Digital OOH Status and Prospect (2013-2023)
1.4.2 Europe (Germany, France, UK, Russia and Italy) Digital OOH Status and Prospect (2013-2023)
1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) Digital OOH Status and Prospect (2013-2023)
1.4.4 South America (Brazil, Argentina, Colombia) Digital OOH Status and Prospect (2013-2023)
1.4.5 Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa) Digital OOH Status and Prospect (2013-2023)
1.5 Global Market Size of Digital OOH (2013-2023) 

2 Manufacturers Profiles
2.1 Clear Channel Outdoor
2.1.1 Business Overview
2.1.2 Digital OOH Type and Applications
2.1.2.1 Product A
2.1.2.2 Product B
2.1.3 Clear Channel Outdoor Digital OOH Revenue, Gross Margin and Market Share (2016-2017)
2.2 JCDecaux
2.2.1 Business Overview
2.2.2 Digital OOH Type and Applications
2.2.2.1 Product A
2.2.2.2 Product B
2.2.3 JCDecaux             Digital OOH Revenue, Gross Margin and Market Share (2016-2017)
2.3 Lamar Advertising
2.3.1 Business Overview
2.3.2 Digital OOH Type and Applications
2.3.2.1 Product A
2.3.2.2 Product B
2.3.3 Lamar Advertising            Digital OOH Revenue, Gross Margin and Market Share (2016-2017)
2.4 OUTFRONT Media
2.4.1 Business Overview
2.4.2 Digital OOH Type and Applications
2.4.2.1 Product A
2.4.2.2 Product B
2.4.3 OUTFRONT Media  Digital OOH Revenue, Gross Margin and Market Share (2016-2017)

3 Global Digital OOH Market Competition, by Players
3.1 Global Digital OOH Revenue and Share by Players (2013-2018)
3.2 Market Concentration Rate
3.2.1 Top 5 Digital OOH Players Market Share
3.2.2 Top 10 Digital OOH Players Market Share
3.3 Market Competition Trend

Continued…..

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Contact Person: Norah Trent
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This report studies the Digital Music market status and outlook of Global and major regions, from angles of players, countries, product types and end industries; this report analyzes the top players in global market, and splits the Digital Music market by product type and applications/end industries.
Digital music service allows customers to listen to and download music. High-quality music is made available for purchase, access, and play back by the service provider. In this type of service, the service provider purchases digital rights from music recording companies. The service is provided through a network service, wherein the user pays a subscription fee, pays per download, or accesses the music free of charge from an ad-based streaming model. The user can also download music and playlists directly to a smartphone for offline listening on the go without requiring the use of the internet.

The global Digital Music market is valued at xx million USD in 2017 and is expected to reach xx million USD by the end of 2023, growing at a CAGR of xx% between 2017 and 2023.

The Asia-Pacific will occupy for more market share in following years, especially in China, also fast growing India and Southeast Asia regions.
North America, especially The United States, will still play an important role which cannot be ignored. Any changes from United States might affect the development trend of Digital Music.

 

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Market Segment by Companies, this report covers
Amazon.com
Apple
CBS
Deezer
EMI Music Publishing
Fox Music Publishing
Google
Hungama Digital Media Entertainment
Microsoft
Sony
Spotify
Universal Music Group
Aspiro
Beats Electronics
Blinkbox Music
Gaana.com
Grooveshark
Guvera
Mixcloud
Myspace
Rara
Rhapsody
Saavn
Slacke
Songl
SoundCloud
Thumbplay
TuneIn Radio

Market Segment by Regions, regional analysis covers
North America (United States, Canada and Mexico)
Europe (Germany, France, UK, Russia and Italy)
Asia-Pacific (China, Japan, Korea, India and Southeast Asia)
South America (Brazil, Argentina, Colombia)
Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa)

Market Segment by Type, covers
Permanent downloads
Music streaming

Market Segment by Applications, can be divided into
Below 18 years
18-40 years
41-60 years
Above 60 years

http://www.abnewswire.com/pressreleases/digital-music-market-2018-global-industry-key-players-size-trends-opportunities-growth-analysis-to-2023_300434.html

 

Complete Report Details @ https://www.wiseguyreports.com/reports/3453611-global-digital-music-market-2018-by-manufacturers-countries

 

Table of Contents –Analysis of Key Points

1 Digital Music Market Overview
1.1 Product Overview and Scope of Digital Music
1.2 Classification of Digital Music by Types
1.2.1 Global Digital Music Revenue Comparison by Types (2017-2023)
1.2.2 Global Digital Music Revenue Market Share by Types in 2017
1.2.3 Permanent downloads
1.2.4 Music streaming
1.3 Global Digital Music Market by Application
1.3.1 Global Digital Music Market Size and Market Share Comparison by Applications (2013-2023)
1.3.2 Below 18 years
1.3.3 18-40 years
1.3.4 41-60 years
1.3.5 Above 60 years
1.4 Global Digital Music Market by Regions
1.4.1 Global Digital Music Market Size (Million USD) Comparison by Regions (2013-2023)
1.4.1 North America (USA, Canada and Mexico) Digital Music Status and Prospect (2013-2023)
1.4.2 Europe (Germany, France, UK, Russia and Italy) Digital Music Status and Prospect (2013-2023)
1.4.3 Asia-Pacific (China, Japan, Korea, India and Southeast Asia) Digital Music Status and Prospect (2013-2023)
1.4.4 South America (Brazil, Argentina, Colombia) Digital Music Status and Prospect (2013-2023)
1.4.5 Middle East and Africa (Saudi Arabia, UAE, Egypt, Nigeria and South Africa) Digital Music Status and Prospect (2013-2023)
1.5 Global Market Size of Digital Music (2013-2023) 

2 Manufacturers Profiles
2.1 Amazon.com
2.1.1 Business Overview
2.1.2 Digital Music Type and Applications
2.1.2.1 Product A
2.1.2.2 Product B
2.1.3 Amazon.com Digital Music Revenue, Gross Margin and Market Share (2016-2017)
2.2 Apple
2.2.1 Business Overview
2.2.2 Digital Music Type and Applications
2.2.2.1 Product A
2.2.2.2 Product B
2.2.3 Apple Digital Music Revenue, Gross Margin and Market Share (2016-2017)
2.3 CBS
2.3.1 Business Overview
2.3.2 Digital Music Type and Applications
2.3.2.1 Product A
2.3.2.2 Product B
2.3.3 CBS Digital Music Revenue, Gross Margin and Market Share (2016-2017)
2.4 Deezer
2.4.1 Business Overview
2.4.2 Digital Music Type and Applications
2.4.2.1 Product A
2.4.2.2 Product B
2.4.3 Deezer Digital Music Revenue, Gross Margin and Market Share (2016-2017)
2.5 EMI Music Publishing
2.5.1 Business Overview
2.5.2 Digital Music Type and Applications
2.5.2.1 Product A
2.5.2.2 Product B
2.5.3 EMI Music Publishing Digital Music Revenue, Gross Margin and Market Share (2016-2017)
2.6 Fox Music Publishing
2.6.1 Business Overview
2.6.2 Digital Music Type and Applications
2.6.2.1 Product A
2.6.2.2 Product B
2.6.3 Fox Music Publishing Digital Music Revenue, Gross Margin and Market Share (2016-2017)
2.7 Google
2.7.1 Business Overview
2.7.2 Digital Music Type and Applications
2.7.2.1 Product A
2.7.2.2 Product B
2.7.3 Google Digital Music Revenue, Gross Margin and Market Share (2016-2017)

Continued…..

Media Contact
Company Name: Wiseguyreports.com
Contact Person: Norah Trent
Email: Send Email
Phone: +1 646 845 9349, +44 208 133 9349
City: Pune
State: Maharashtra
Country: India
Website: www.wiseguyreports.com

United Launch Alliance Delta IV rocket will deliver to orbit from  SLC-37B at Cape Canaveral Air Force Station NASA’s Parker Solar Probe. NASA targets to reach distance of  6.5 million kilometers from surface of the Sun.
Glonass-M #59 navigation satellite will be launched on the top of the Soyuz-2.1B rocket from Plesetsk Cosmodrome. Satellite after commissioning will support GlONASS - Russian satellite navigation system.
Two satellites Beidou-3M5 and Beidou-3M6 will be delivered to orbit by long March 3B rocket. Mission is part of Beidou satellite navigation system launch schedule.